Ốc - They Carry Their Homes

I took a walk in the rain at the outskirts of town tonight, on roads that made me wonder, what was I thinking when I decided to take this walk? Through ankle-deep, murky curb runoff, over bridges with crowded oncoming scooters and no pedestrian walkway, across a tollbooth as uniformed guards with blinding flashlights harassed hapless truckdrivers. Tired of my taxing trek, I found a bus stop and waited for a bus, on the corner of a moonlit grassy field that once was natural flooded swamp, but has been drained to support commercial development. When the rains come, animals, which once called the swamp home, emerge under the cover of darkness. They hop and creep and crawl and splash, just like they used to before the land was drained.

From the bus stop, I saw three men skulking about in the vines and tall swampgrass. With dim flashlights, they probed the damp vegetation, and intermittently reached out to pluck something the size of a stone from the lush greenery. I snuck in to get a closer look at the bags, saw the form of a conical spiral pile, and realized that the plastic-sandaled men were hunting for snails. I gestured to a guy with a distended bag, smiled, and pointed at the bag with an open palm. He said ốc, ốc, ốc, ốc, rapidly as if he had just stubbed his toe. I think I made him nervous.

I pantomimed eating by drawing my five fingertips toward my mouth as if taking a bite of food. He nodded, which seemed to affirm my guess that he and his companions were gathering edible snails. I could be wrong, since he didn't say the word for yes, that's correct. But I'm pretty sure he was going to eat them. Or perhaps he was going to sell them to one of the numerous late-evening sidewalk cafes that specialize in snails, clams, and fertilized duck eggs, all served with bottles of beer. Finding enough snails to make a meal, or to sell for a decent profit, is a lot of work. Losing ground to development must make it even harder. It seems that the animals weren't the only ones that were left high and dry when the swamps were drained.

The word for snail is ốc. This is confirmed by several people. Interestingly, the word ốc according to Google seems to mean "house," probably because the little guys appear to carry their houses around on their backs. I thought I'd double check with Lữ, but she's not convinced that ốc means house. Whether Google is right or not, snails certainly do carry their homes on their backs.

Either way, it was interesting to see people foraging for dinner in an urban greenspace, just a few feet from bustling trucks and honking scooters at a busy intersection. I don't think I'll have the same luck if I try to forage for dinner in Central Park. And, what would I eat, anyway?

Pl-ice-tic Skating

Skating on synthetic ice is kind of... nice

"Where else can you get bit by a mosquito when ice skating," Mike said, chuckling as he glided by me, a little wobblier than I'm used to seeing when he has skates laced to his feet, but skating nonetheless, on a giant sheet of white, slippery plastic.

We checked out the synthetic ice skating rink, on the third floor (what we would call the fourth floor) of the public sports and rec complex near our apartment. The rink is a jigsaw puzzle of white polymer tiles. Loud techno-pop and air conditioning turned way down greet you when you walk in. The place is full of local kids who go there to learn figure skating, play co-ed hockey, or hang out and flirt with each other. You have the odd adult who chooses to skate laps in a single lane like it was a pool and not a circular rink, who is more of a hazard than anything else. And you have Mike and I, who are perhaps the only people there who know what it's like to skate on real frozen water.

The ice is fake, but the skates are very real. The blades are sharpened metal. The hockey skates are just like the ones we'd use on ice. The figure skates have been slightly modified; the serrated toes are ground smooth so they don't tear up the plastic.

While I wouldn't say that the sensation of real ice is successfully replicated, the synthetic rink isn't bad. Two factors contribute to a reasonably similar skating experience. The rink is lubricated to reduce friction. I think they use some sort of silicone grease. It gets all over everything, and it's kind of gross to touch, but it's not smelly.

However, some friction is still necessary to create the illusion of real ice. The friction heats up the blade. Skate from one end to the other and the blades are too hot to touch. The hot blades literally melt the plastic, increasing the skate's grip. I lost grip and fell a couple times. I could blame my blades for not being hot enough, or blame the nasty grease on the rink, but instead, I'm just gonna say, if you're not falling, you're not trying hard enough.

We ran into a Vietnamese-American, who is somehow involved with either the activities at, or the development of the sports and rec complex. He told us that this is the only synthetic ice rink in Vietnam, until a new one opens at the Vincom Center in about 10 days. He also told us that a mat gets rolled out onto the plastic rink on Sundays, and the rink gets converted into an archery range. You know that's where we'll be.

Renew, Reuse, Recycle

Hand-made fine tuners

Lately I've been learning to play a traditional Vietnamese musical instrument, a two-stringed bowed instrument called đàn nhị. I like it, and I want one of my own. But finding a model like the one I've been learning on has been sort of a challenge. My teacher's fifty-year-old đàn nhị is heavily customized. It has different strings, a different base, and much different accessories than the ones in the stores.

The most significant difference is the fine tuners on my teacher's đàn nhị, which hang from ends of the two wooden tuning pegs. When I was in the music store, I asked the storekeeper if she sold any of the fine tuners. But she never even heard of them. So I went to my teacher to find out what they were called. And they don't have a name. Because they're unique. The guy who made them was a friend of my teacher, the same guy who bolted a piece of metal and wood to the base of the đàn nhị to give it more height and weight. Since the teacher's friend passed away, no one makes those tuners anymore.

People make things here. And they repair things when they get broken. For a place that has street sweepers on hand 20 hours a day to sweep up the styrofoam, plastic bags, and empty bottles from the sidewalks and streets, I'm not sure I'd call Vietnam a throw-away culture. People in a throw-away culture buy cheap things and use them until they break. They throw the broken things out and replace them with new things entombed in packaging and shipped from far, far away. In a throw-away culture, to be "green" and "environmentally friendly" is considered hip and trendy, yet it's more of a marketing gimmick than a lifestyle choice.

Coconut lacquer vase

On a walk through Saigon, I pass by cobblers with pants smeared in black glue, who tack new rubber soles onto piles of old shoes. In a market, vendors shovel crepe-mix and rice into bags using modified plastic bottles; the tops of the bottles are cut away at an angle, turning them into rather effective scoops. And coconuts are recycled, too. After the juice has been imbibed, the husks are dried and used as fire-fuel. And the hard shells are crafted into wine bottles or lacquerware.

I've been told that cars here do not depreciate in value like cars do in the states because the ones here aren't easily replaceable. An imported car has a 100 percent import tax tacked on the price tag, and to the best of my knowledge, Vietnam has no domestic car. So, instead of buying a new car every five years, people keep fixing their old ones.

One time, I saw a guy scraping hard white meat from a brown coconut into fine shreds. Considering the glut of coconuts we enjoyed a while back, it would have been nice if we had some alternative to spooning the meat out in clumsy chunks. We could have pressed the shreds to extract the coconut cream, or mixed them with black sesame to pile onto rice crêpes and roll into homemade bò bía ngọt. I thought of the held-held tool the guy used, and Lữ seemed to remember it too, so we began a hunt to find one and buy it.

When we made bánh tét last week, we learned the sticky rice is mixed with shredded coconut. There was a lot of sticky rice, and the pile of empty husks told us there was a lot of shredded coconut. Lữ asked her cousin how she shredded them all, and she showed us a tool, which was homemade, that far exceeded our needs. It was a cut and bent piece of iron the length of an arm. The tool had a serrated edge on one side and a tripod on the other that rests on the ground. The person places a bowl under the edge and sits on the tool. As the person rotates the coconut around the serrated edge, shreds drop into the bowl below. Lữ's cousin, as generous as she is a phenomenal cook, offered us her coconut shredder to take home. Her polite insistence made it hard to decline the offer, but the tool is as big as some garden equipment, and it far surpasses our needs.

So we went to the market and asked the vendor for the handheld variety. They didn't have one. In fact, they didn't even know what we were talking about. You would think in a country that makes so much use of coconut, that the vendors would know the tools, which would be available everywhere.

Well, they are available anywhere, in a sense. I just saw one tonight. It was a steel bar the length of a pen, with a bottlecap bolted on at one end. No one here would think of sell something that can be slapped together in minutes for free using scraps from a garage. Vietnam, while I wouldn't give it that trendy label of "green," can offer many lessons of how to make things last, and how turn trash into treasure. For now, though, I don't trust my instrument-making skills. So if I want a đàn nhị that doesn't sound like a cat in heat, I'll have to buy one. And, maybe one day, I'll make the fine tuners myself.